A group of kids on a field trip shockingly discover the bodies of missing children. Their alarming discovery leads to a small western town where the mystery of the slain children's disappearance has created an environment of suspicion and distrust. A curious reporter from the city arrives in town and bribes a bar owner to divulge everything she knows. Gradually, the pieces of this disturbing puzzle; deception, adultery and secret bonds, start falling into place. They hold the key to the mystery of the murdered children.

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

A documentary following the efforts of Earnestine Smith, an 80-year old American, to return to Liberia in order to rebuild her life following the devastation of the Liberian civil war.

From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.

Pokchat tries to get through hard times with his goodness. He was raised by Sanao, his father and has the support of Namfon, the daughter of a billionaire who favors his family. Pokchat and Namfon's bond develops deeper and deeper. One day, Sanao mysteriously disappears. Pokchat feels hopeless but he's determined to stand up again and find his father.

In a town immersed in Halloween traditions, a group of teens stumbles upon the Mayor's scheme to abolish the beloved holiday. With dark powers at stake, they must save their community and Halloween itself in The Town Without Halloween.

An anthology of stories exploring the idea that no theory can be used for every love story.

Howard Bloom spent much of the 1970s and 80s as the publicist for iconic musicians like Michael Jackson, Prince, Joan Jett, Run-DMC, and Aerosmith. When a rare disease left him housebound for 15 years, Bloom reinvented himself as an author, publishing several books on evolutionary psychology and humanity’s role in the cosmos. Now in his 70s, the eccentric philosopher readies an unfathomably long masterwork that will unify all of his unorthodox theories, and makes plans for his legacy.

Angela Merkel's decision in autumn 2015 to open the borders for refugees split the country - some praised the moral stance, others criticized the surrender of sovereignty. Yet what would appear to be well-planned activity is in reality a policy of muddling along, chance, trial and error. The Driven Ones is a chronicle of the refugee crisis which shows that the political actors are being driven along, crushed between self-imposed constraints and events that have spun out of control.